Category: Artist

Cirque Branché

Branché is a collaboration between Cirque Barcode and Acting for Climate. It is a contemporary circus show to address the climate crisis, created in a way as to have minimal impact during creation and while touring.

Designed to be played in parks or forests and centered on group acrobatics, Branché is a celebration of the strength of community and our relationships to each other and to nature. It is a show to get people outside and inspire them as to what is possible if we work together.

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Doro Buch

My name is Doro Buch, I’m a visual artist living and have been working in Calgary since 2012. Originally a social scientist, I blend my art with my interest in our society and the relationship between our built and natural environment. Since 2019, I am increasingly working on community engagement art projects: I value them as a great opportunity to bring people together, open dialog and inspire reflection.

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Fundy Mud Pottery

Fundy Mud Pottery is Jim Kitts digging and processes local clays to produce pottery, often with woven handles or other touches sourced from the sea, the beach or the woodlot. Fundy Mud Pottery supports the local farmers market, is active in construction of earth battery greenhouse, small homes, woodlot chainsaw milling of construction timber. There is a clown entity, ‘Ole Star,’ a music handpan and shakuhachi entity known as Jampan, and a film entity for clay process education, see our video below.

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Esteban Pérez

Liquid Land (2021) is a 15:03 minutes video of a brick sculpture made from a mix of unceded territory —land from outside the school— and First Nations Land —collected with Splash.

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Jennifer Ireland

Jennifer Ireland is a research based, multi-medium artist, working to question with wonder; ways of knowing and ways of being in land. Ireland strives to make work that is mindful of situation, site, context, and access. This ethic is found in her work through materials and methods which are often light, sustainable and provisional. Ireland’s practice ranges from drawing, photography, video, and sculpture, to site-sensitive installation and performance. Each of their works strives to operate as speculative wayfinding in this Anthropocenic time.

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Red Betty Theatre

Red Betty Theatre has welcomed and centred IBPOC voices in Hamilton, Ontario through vibrant storytelling and theatrical presentations since 2011. There’s a clue about our name in our logo if you can read Hindi: lal beti – red daughter. Red for rage and blood and love; these three elements fuel women – forgotten women, shunned girls, outsiders daring to question patriarchal dominance while subverting beliefs that set up women and girls up to be accessories, impediments, or glorified servants.
Red Betty Theatre supports marginalized women’s voices. As the first local IBPOC feminist theatre company, Red Betty Theatre plays a vital role in Hamilton by making space for ‘other’ voices to grow and be heard. There’s enough room for everyone.

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