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Category: Performance Art

TRAction person in trees

TRAction

TRAction is a dynamic collective of interdisciplinary artists who actively and publicly address issues of climate justice.

Although the projects are primarily facilitated and organized by Melanie Kloetzel and Kevin Jesuino, TRAction expands and contracts to include other interested allies, professionals, scientists, volunteers and artists who work at the intersection of art-making and climate change. Using diverse methods of artistic creation, TRAction addresses complex environmental issues and advocates for climate justice for all humans and species.

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Cirque Branché

Branché is a collaboration between Cirque Barcode and Acting for Climate. It is a contemporary circus show to address the climate crisis, created in a way as to have minimal impact during creation and while touring.

Designed to be played in parks or forests and centered on group acrobatics, Branché is a celebration of the strength of community and our relationships to each other and to nature. It is a show to get people outside and inspire them as to what is possible if we work together.

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Fundy Mud Pottery

Fundy Mud Pottery is Jim Kitts digging and processes local clays to produce pottery, often with woven handles or other touches sourced from the sea, the beach or the woodlot. Fundy Mud Pottery supports the local farmers market, is active in construction of earth battery greenhouse, small homes, woodlot chainsaw milling of construction timber. There is a clown entity, ‘Ole Star,’ a music handpan and shakuhachi entity known as Jampan, and a film entity for clay process education, see our video below.

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Jennifer Ireland

Jennifer Ireland is a research based, multi-medium artist, working to question with wonder; ways of knowing and ways of being in land. Ireland strives to make work that is mindful of situation, site, context, and access. This ethic is found in her work through materials and methods which are often light, sustainable and provisional. Ireland’s practice ranges from drawing, photography, video, and sculpture, to site-sensitive installation and performance. Each of their works strives to operate as speculative wayfinding in this Anthropocenic time.

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