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Category: Digital Media

Kelly Andres

Kelly Andres is a research based artist of settler origin. She has produced installations, performances and sensorial experiences that blend cosmologies and ecologies. Andres recently completed a practice based Ph.D in Fine Arts at Concordia University, Montréal, titled Radicle Assemblages (2020). Her current research intertwines ecological art practices, plant studies, performative placemaking, co-creative community/urban planning, and experiential approaches for multi-species interactions. Recent exhibitions include Particle + Wave, Calgary, Les yeux dans l’eau, Foreman Art Gallery of Bishop University in Sherbrooke, Sandstone City, The Lougheed House, Calgary, The Garden of Speculations, articule, Montréal, le Centre des arts actuels Skol, Montréal, La Maison des arts de Laval, Laval. Andres’s past work has been generously supported by the Conseil des arts et des lettres du Québec, the Alberta Foundation for the Arts and the Canada Council for the Arts.

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Jasper Community Habitat for the Arts

The Jasper Community Habitat for the Arts opened its doors on July 1st 2016.

This is Jaspers’ first dedicated community space for exploring the arts, any of its disciplines, and for all ages. A place to share expertise, experience something new or be entertained.

The space was designed, from its inception, to be one that could accommodate the arts and artists who would be using the spaces. When we were invited to sit with the architects in 2011 we had no real idea of the light, the wood, the concrete, and how they would work together in making something so truly unique.

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Ayelen Liberona

Born in Tkaronto (Toronto) to Chilean political refugees, Ayelen’s first language was dance which has matured through radical explorations of movement as powerful tools for change and transformation. A multifaceted dancer, filmmaker, activist and community weaver, her work in the world is to lead from the heart and articulate connection.

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Nicole Schafenacker

currently the artist in residence for the Yukon chapter of Canadian Parks and Wilderness Society (CPAWS).Nicole lives in Whitehorse on the traditional territory of the Kwanlin Dün First Nation and Ta’an Kwäch’än Council. She has shown work across Canada, the US and in Norway.

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Eveline Kolijn

Eveline Kolijn is a printmaker and installation artist. Her interest in natural history and concern for the environment were fostered by growing up in the Caribbean, where she experienced both the beauty and demise of coral reefs. Eveline received a MA in cultural anthropology from the Leiden University in the Netherlands in 1986 and a BFA from the Alberta College of Art+ Design in 2008 including the Governor General’s Award for academic achievement. She has participated in national and international exhibitions and residencies, public art projects and community engagement. She has been published in various scientific publications. She is an instructor at the Alberta University of the Arts School of Continuing Education. In 2018, she joined the Energy Futures Lab as a Fellow and in 2019, she received the AUArts Alumni Legacy award.

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seeley quest sie/hir

Currently designing a project of radio drama miniseries with a companion interactive web platform. Focusing on solarpunk narratives, this broadcast/podcast’s episodes are set 15 years ahead in a radically refashioning Canadian urban-scape. Anglophone, Francophone, Allophone, and Indigenous community members liaison across Montreal and Ottawa to continue adapting with climate-resilient housing, localization of food, energy, and healthcare resource generation and recycling operations, and community governance practices to address fair distribution and trade agreements. This “speculative realism” story crafting includes humour, sober and optimistic projections of near-future potentials to build toward. Covering a year of neighbours extending a network of residential/industrial eco-complexes, the project aims for collaborative episode building with scriptwriters and actors. To represent realistic urban futures, a majority of cast and crew will also be disabled and/or racialized.

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Félix Bernier

Félix Bernier is an interdisciplinary artist now based in Kjipuktuk/Halifax with a background in software engineering. His work explores the human connection to land and the impact of digital technologies to our physical environment and to human interactions. Using photography, installation, sculptural elements and digital technologies, Félix presents the complex inter-relations of the physical and the digital as sources of interrogation. Félix completed his Master of Fine Arts at NSCAD University in 2021.

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Anju Singh

Through audio and video recordings, Anju Singh has been exploring the sounds, currents, and textures of moving waters in Coast Salish Territories for the creation of new works of manipulated video/sound art pieces. The pieces intend to investigate her personal relationship with the moving waters and messages that they carry. Anju’s previous works include using instruments and sound sources to connect with and give new voices to natural landscapes, water, trees, and plants.

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Maedeh Mosaverzadeh

Maedeh Mosaverzadeh is an Iranian Visual artist based in Calgary, Canada. She received her Master of Fine Arts at the University of Calgary. Maedeh creates illustrations and animations to discuss issues surrounding plastic pollution. She explores ways in which art can evoke emotions and bring awareness about environmental issues and problems caused in our troubled age. In pursuing her endeavor for increasing general awareness about plastic pollution and reaching out to more people, Maedeh has created a social media platform called A Yellow Land. In this platform, she shares her artistic practice and ideas.

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David Borish

HERD: Inuit Voices on Caribou is a research-based film project led by Inuit from the Nunatsiavut and NunatuKavut regions of Labrador, Canada, with the goal of documenting, preserving, and sharing Inuit knowledge and experiences with caribou. Between 2016-2022, we talked with, filmed, and photographed over 80 Inuit from across 12 distinct communities in Labrador; we documented caribou and landscapes from various parts of Nunatsiavut and NunatuKavut; and we collected archival multimedia from decades in the past. As a result, we gathered over 100 hours of footage, thousands of photographs, and countless memories from knowledge holders who were involved in this work. More information, photos, and writings can be found at: www.herdfilm.ca

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