sirenscrossing is an international, collaborative umbrella for a transdisciplinary site-specific practice. We think of humans as only one node of liveliness in the interweave of the living Earth. Through creating audience experiences in everyday spaces, we deepen into the lived reality of humans (even those in cities) and their sympoietic mesh with nonhumans, landscapes, and Earth systems. sirenscrossing seeks to enliven individual human’s awareness of their spiritual, biological, ecological, social, and technological entanglement in multispecies and hybrid bio/geo/techno processes. All of this has become increasingly urgent, on a planet in crisis. We hope to contribute to a tidal surge of momentum for change. Commissioned artist for Coventry UK City of Culture (2021-2022).
Tina M Pearson is a composer, media artist, performer and facilitator. Her projects invite stretched modes of time, perception and attention, in composition, field recording, performance, and facilitating, and often occur in community-based settings, outdoors, and within/through online platforms. Her work is increasingly focused on linking biospheres, ancestral memory, and technologies, uncovering connections that have been minimized, forgotten, or unimagined. Current projects include “Root Blood Fractal Breath” with Toronto’s ContaQt ensemble; “Displacement and Drift”, a mixed reality machinima and virtual installation; and “Tree Sing”, a long term approach for woman-identified vocalists and dancers to embody languages, sounds and movements directly from trees. Pearson’s work has been commissioned for presentation in concerts, installations, choreography, broadcasts, and video in centres through North America and Europe. She was editor of Canada’s Musicworks magazine, and taught Sound Studies at OCAD University in Toronto. She is director of LASAM Music, a member of the global Avatar Orchestra Metaverse collective, and a certified Deep Listening® practitioner through Pauline Oliveros. Pearson is a first generation Canadian of Nordic / Slavic descent, and lives on the unceded lands of the Lkwungen peoples on Vancouver Island.
TRAction is a dynamic collective of interdisciplinary artists who actively and publicly address issues of climate justice.
Although the projects are primarily facilitated and organized by Melanie Kloetzel and Kevin Jesuino, TRAction expands and contracts to include other interested allies, professionals, scientists, volunteers and artists who work at the intersection of art-making and climate change. Using diverse methods of artistic creation, TRAction addresses complex environmental issues and advocates for climate justice for all humans and species.