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Category: Performing Arts

Omineca Arts Centre

Omineca’s mandate is “a safe space for creativity to flourish” and our Mission Statement is “Omineca Arts Centre will create space and opportunity for innovative, multidisciplinary, collaborative, and marginalized art forms within the Omineca region.” Our Core Values are: Welcoming, Innovative, Inclusive, Community-minded, Supportive, Accessible and Sustainable.The Omineca Arts Centre is an interdisciplinary, locally-led artist run centre that is grounded in arts-based community development. Omineca continues to facilitate collaboration and diversify opportunities for emerging & professional visual, literary, musical and performing artists. The centre is located in a storefront in the pedestrian core of Prince George’s downtown. Our aim is to co-develop meaningful and collaborative artistic projects, experiences, and models for catalyzing arts and culture in the Omineca region, while prioritizing inclusivity, responsiveness, and interdisciplinary collaboration.

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Chantal Stormsong Chagnon

Chantal Chagnon is a Cree / Métis Singer, Drummer, Artist, Storyteller, Actor, Educator, Workshop Facilitator, Social Justice Advocate and Activist with roots in Muskeg Lake Cree Nation, Saskatchewan. She shares Traditional Indigenous Songs, Stories, Culture, History, Arts, Indigenous Craftsmanship and Teachings. Chantal has presented in Classrooms from Preschool through University and Professional, Community, and Social Justice Events and Gatherings. Chantal aims to entertain, engage, enlighten, educate, and inspire everyone she meets.

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Starr Muranko (Co-Artistic Director | Raven Spirit Dance)

Starr Muranko is a dancer, choreographer and Mother to the most amazing little boy. She is Co-Artistic Director with ​Raven Spirit Dance – a contemporary Indigenous dance company based in Vancouver, BC on the the unceded and Ancestral territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations. As a choreographer she is most interested in the stories that we carry within our bodies and Ancestral connections to land that transcend time and space. Her choreographic work has been shared both locally and nationally across Canada including presentations at the Dance Centre, Talking Stick Festival, Coastal Dance Festival, Dancing on the Edge, Weesageechak Begins to Dance (Native Earth Performing Arts), Impact Festival and InFringing Dance Festival. Featured work includes ‘before7after’, Spine of the Mother and Chapter 21.

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Lin Snelling

Lin Snelling’s performance, writing and teaching is based in the qualities improvisation can offer as it applies to dance, theatre, visual art and somatic practice. She toured the world extensively as a performer with Carbone 14 and worked with many improvisation ensembles. As Professor at the University of Alberta she is presently teaching dance, experiential anatomy and composition and is Coordinator of the MFA in Theatre Practice program. She received a McCalla Professorship in 2019 from the University of Alberta for a new collective creation, A Sounding Line. Her recent dance collaborations are Entrances with David Gagnon Walker and Tori Morrison, eva as part of StageLab, The Liminal with Brian Webb, anything goes: GWG Dance in 17 parts with Gerry Morita, and Versing with musician/composers Michael Reinhart, Jeremi Roy, David Ryshpan and lighting designer Yan Lee Chan. She works with Montreal choreographer Tedi Tafel and was part of Crying in Public, Life World, Calendar and Everyday. Her collaboration Performing Book with visual artist Shelagh Keeley happened at the Edmonton Art Gallery, MoMA, the Power Plant/Toronto, and the VAG/Vancouver. She continues with Rewriting Distance; a workshop and performance with the dance dramaturge Guy Cools. www.rewritingdistance.com

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Nakai Theatre

Nakai Theatre contributes to a thriving Yukon through professional theatre, supporting spectacular moments of delight, meaningful connections, new creations and inspiration from right here and around the world.

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Will Weigler

I am a theatre director, playwright, producer, and professional storyteller, now living and working on the traditional territories of the Coast Salish Peoples. I have written five books on different approaches to co-creating theatre with people in communities about the issues that matter to them. In the past two years I have been working with the International Centre of Art for Social Change as a mentor for several emerging artists creating community-based performance work around issues of climate change activism and sustainability. I have borrowed a personal credo from Philip Pullman who writes: “Responsibility and delight can co-exist.”

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Melanie Kloetzel/kloetzel&co.

kloetzel&co. is a dance theatre company committed to works that span stage, site, and screen. Begun in New York City, kloetzel&co. now makes its home in Canada, where it has grown increasingly concerned with the intersection between art-making and social and environmental justice. The company’s research projects emerge from practice-as-research methodologies and result in events, workshops and encounters in theatre spaces, alternative venues, online environments, and spaces of public assembly. kloetzel&co. is particularly dedicated to artistic collaboration and interdisciplinary practices and the company enjoys fostering creative experiments with writers, filmmakers, composers, designers, visual artists, landscape designers, and musicians in each place along its choreographic journey. Award-winning films from the company have been presented across four continents, and live presentation highlights include presentations at New York’s Movement Research at the Judson Church, Danspace, and The Flea Theatre, as well as in hotels, train stations, board rooms, parking lots and gallery spaces. kloetzel&co. is directed by Melanie Kloetzel (MFA, PhD) a performance maker, scholar and educator who has created over fifty works for the company. Kloetzel is also the co-director of the art intervention collective TRAction. Kloetzel’s publications can be found in many scholarly journals as well as in her co-edited anthology Site Dance: Choreographers and the Lure of Alternative Spaces (2009), the co-authored (Re)Positioning Site Dance: Local Acts, Global Perspectives (2019), and the co-authored Covert: A Handbook, which are currently available from University Press of Florida, Intellect, and Triarchy Press, respectively. Kloetzel is Professor of Dance at the University of Calgary.

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TRAction person in trees

TRAction

TRAction is a dynamic collective of interdisciplinary artists who actively and publicly address issues of climate justice.

Although the projects are primarily facilitated and organized by Melanie Kloetzel and Kevin Jesuino, TRAction expands and contracts to include other interested allies, professionals, scientists, volunteers and artists who work at the intersection of art-making and climate change. Using diverse methods of artistic creation, TRAction addresses complex environmental issues and advocates for climate justice for all humans and species.

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Red Betty Theatre

Red Betty Theatre has welcomed and centred IBPOC voices in Hamilton, Ontario through vibrant storytelling and theatrical presentations since 2011. There’s a clue about our name in our logo if you can read Hindi: lal beti – red daughter. Red for rage and blood and love; these three elements fuel women – forgotten women, shunned girls, outsiders daring to question patriarchal dominance while subverting beliefs that set up women and girls up to be accessories, impediments, or glorified servants.
Red Betty Theatre supports marginalized women’s voices. As the first local IBPOC feminist theatre company, Red Betty Theatre plays a vital role in Hamilton by making space for ‘other’ voices to grow and be heard. There’s enough room for everyone.

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