Category: Community Engaged

Hemispheric Encounters: Ecologies Research Cluster

Hemispheric Encounters: Developing Transborder Research-Creation Practices brings together scholars, artists, activists, and community organizations from across the Americas to explore hemispheric performance as an artistic practice for addressing social and environmental justice. The Ecologies cluster considers site-based performance strategies that address politics of land (and agencies of its more-than human inhabitants), as well as spatial politics of occupying public spaces. We delve into legacies of transnational resource extraction and land politics.

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No.9

No.9 is a cultural organization that provides youth with creative educational tools to address Climate Change and to foster dialogue between Indigenous and non-Indigenous people.

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Chantal Stormsong Chagnon

Chantal Chagnon is a Cree / Métis Singer, Drummer, Artist, Storyteller, Actor, Educator, Workshop Facilitator, Social Justice Advocate and Activist with roots in Muskeg Lake Cree Nation, Saskatchewan. She shares Traditional Indigenous Songs, Stories, Culture, History, Arts, Indigenous Craftsmanship and Teachings. Chantal has presented in Classrooms from Preschool through University and Professional, Community, and Social Justice Events and Gatherings. Chantal aims to entertain, engage, enlighten, educate, and inspire everyone she meets.

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Starr Muranko (Co-Artistic Director | Raven Spirit Dance)

Starr Muranko is a dancer, choreographer and Mother to the most amazing little boy. She is Co-Artistic Director with ​Raven Spirit Dance – a contemporary Indigenous dance company based in Vancouver, BC on the the unceded and Ancestral territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and Sel̓íl̓witulh (Tsleil-Waututh) Nations. As a choreographer she is most interested in the stories that we carry within our bodies and Ancestral connections to land that transcend time and space. Her choreographic work has been shared both locally and nationally across Canada including presentations at the Dance Centre, Talking Stick Festival, Coastal Dance Festival, Dancing on the Edge, Weesageechak Begins to Dance (Native Earth Performing Arts), Impact Festival and InFringing Dance Festival. Featured work includes ‘before7after’, Spine of the Mother and Chapter 21.

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Nakai Theatre

Nakai Theatre contributes to a thriving Yukon through professional theatre, supporting spectacular moments of delight, meaningful connections, new creations and inspiration from right here and around the world.

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Will Weigler

I am a theatre director, playwright, producer, and professional storyteller, now living and working on the traditional territories of the Coast Salish Peoples. I have written five books on different approaches to co-creating theatre with people in communities about the issues that matter to them. In the past two years I have been working with the International Centre of Art for Social Change as a mentor for several emerging artists creating community-based performance work around issues of climate change activism and sustainability. I have borrowed a personal credo from Philip Pullman who writes: “Responsibility and delight can co-exist.”

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Sam Rose Phillips

Sam Rose Phillips is a filmmaker and writer based in Yuułuʔiłʔatḥ Territory. She focuses her lens on human-wildlife stories and their ecological & cultural significance to coastal communities. Sam specializes in off-grid, remote storytelling both from land and on the water, spending the first 5 years of her career as a one-woman film crew. Framing narratives alongside NGOs like Conservancy Hornby Island, Sea Shepherd, North Coast Cetacean Society, Clayoquot Action, and Cetus Research & Conservation Society, has instilled in
her a dedication to ethical filmmaking practices and communicating with clarity. She is currently directing a documentary about coexisting with wildlife.

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Yolanda Weeks

Yo is an installation artist, community arts facilitator, and art director out of Montréal/Tiohtià:ke. Rooted in land and fiber arts, she forages, sources and needle felts natural materials into large scale creations. Yo’s Nomadic Nest installation and performance series contemplates constructs and concepts of home, territory, security, migration, and movement. The act of cocooning herself and others in these giant nest-like ephemeral creations aims to comfort, confront and ultimately connect its inhabitants to a deeper sense of belonging (to the land, to themselves, to the world outside the warmth of these deciduous homes). These unique pieces and immersive experiences serve as a reminder to her and others to tread lightly on the land.

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Ilka Bauer

I am a biologist turned artist with a life-long interest in climate change and environmental issues.

My current body of work, Dissonance, uses paper sculpture and large-scale panels in acrylic ink to explore different aspects of the climate and biodiversity crises.

As originally conceived, “Dissonance” refers to translation gaps: disconnects between intent and outcome in the human endeavour of environmental governance. As the work progressed, it also became a way for me to examine my own cognitive dissonance and try to process decades of contradictions – lived and observed – when it comes to the environment.

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Marie LeBlanc

Marie LeBlanc is a self-taught multidisciplinary artist. Originally from Northern Manitoba, she lived in Winnipeg before recently relocating to Alberta. Living with Environmental Illness means that for LeBlanc, the toxicities of indoor housing have become intolerable due to Multiple Chemical Sensitivity (MCS), Electromagnetic Hypersensitivity and Toxic Mold Exposure. To ease her symptoms, she travels to the U.S. desert in the winter months in a cargo van adapted for safe housing. LeBlanc has taken on a seasonally nomadic lifestyle, following the warm weather patterns that enable her to be outdoors.

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