Katrine Claassens
Katrine Claassens is a South-African artist based in Montreal. She is an artist, writer, and environmental communications specialist. She has an Honour’s degree in Visual
Katrine Claassens is a South-African artist based in Montreal. She is an artist, writer, and environmental communications specialist. She has an Honour’s degree in Visual
Natasha (Tasha) Lavdovsky is a neurodivergent artist & amateur lichenologist, who grew up in Traditional Tsawout First Nation unceded territory (in so-called BC). In 2009
All of my photographic work explores the role that objects play in forming personal histories. The series Forage contemplates how humans might live in harmony with nature using found organic materials in combination with images of people.
The feeling of grief produced by environmental change directly connected to one’s home environment, is known as Solastalgia. The impact of human destruction and urban sprawl on naturalized spaces in our neighbourhoods has an adverse effect on our sense of identity. Wilderness loss also causes more contact between animals and humans, and with this, the spread of viral transmission. Thus, the discussion of our own destructiveness becomes imperative at this time.
Drouin’s diverse photographic artworks examine the evolving definitions of landscape, and the often contentious relationship between human modifications and natural ecosystems.
Virginia is a public and installation artist, currently working in Petawawa, Omàmìwininìwag -Algonquin territory. She is interested in forging a language rooted in her connection with family and the earth. Exploring the marrying of food into art with growing biological forms enveloping foraged local plant life, creating with the context of walking gently. Conversations mingle with the honouring of culture, family and connection to the land in a collaborative public walking tour of sculptures, stories and songs with traditional knowledge keepers Trish Nadjiwon-Meekins, Susan Staves (Schank) in Owen Sound of the Saukiing Anishnaabekiing (SON). She also may use a climate language of cardboard and plastic to initiate dialogue on what is next for us and the earth. Her ancestors reside in England and the Ukraine.
Hemispheric Encounters: Developing Transborder Research-Creation Practices brings together scholars, artists, activists, and community organizations from across the Americas to explore hemispheric performance as an artistic practice for addressing social and environmental justice. The Ecologies cluster considers site-based performance strategies that address politics of land (and agencies of its more-than human inhabitants), as well as spatial politics of occupying public spaces. We delve into legacies of transnational resource extraction and land politics.
Omineca’s mandate is “a safe space for creativity to flourish” and our Mission Statement is “Omineca Arts Centre will create space and opportunity for innovative, multidisciplinary, collaborative, and marginalized art forms within the Omineca region.” Our Core Values are: Welcoming, Innovative, Inclusive, Community-minded, Supportive, Accessible and Sustainable.The Omineca Arts Centre is an interdisciplinary, locally-led artist run centre that is grounded in arts-based community development. Omineca continues to facilitate collaboration and diversify opportunities for emerging & professional visual, literary, musical and performing artists. The centre is located in a storefront in the pedestrian core of Prince George’s downtown. Our aim is to co-develop meaningful and collaborative artistic projects, experiences, and models for catalyzing arts and culture in the Omineca region, while prioritizing inclusivity, responsiveness, and interdisciplinary collaboration.
The Climate Art Web (CAW-WAC) is a grassroots network that brings together climate artists living in northern Turtle Island (Canada).
