Tina Pearson
Tina M Pearson is a composer, media artist, performer and facilitator. Her projects invite stretched modes of time, perception and attention, in composition, field recording, performance, and facilitating, and often occur in community-based settings, outdoors, and within/through online platforms. Her work is increasingly focused on linking biospheres, ancestral memory, and technologies, uncovering connections that have been minimized, forgotten, or unimagined. Current projects include “Root Blood Fractal Breath” with Toronto’s ContaQt ensemble; “Displacement and Drift”, a mixed reality machinima and virtual installation; and “Tree Sing”, a long term approach for woman-identified vocalists and dancers to embody languages, sounds and movements directly from trees. Pearson’s work has been commissioned for presentation in concerts, installations, choreography, broadcasts, and video in centres through North America and Europe. She was editor of Canada’s Musicworks magazine, and taught Sound Studies at OCAD University in Toronto. She is director of LASAM Music, a member of the global Avatar Orchestra Metaverse collective, and a certified Deep Listening® practitioner through Pauline Oliveros. Pearson is a first generation Canadian of Nordic / Slavic descent, and lives on the unceded lands of the Lkwungen peoples on Vancouver Island.