Visual Art Archives - Page 2 of 8

Heather McCaig

Heather McCaig is a flameworked glass artist from Ontario, who now lives near Sussex, New Brunswick. In 2019 she transitioned from her production glass line to creating one of a kind fine craft. Heather has received a scholarship to the Pittsburgh Glass Center in the United States and generous support from the New Brunswick Arts Board. In August of 2021, Heather displayed her gallery series titled Shadows, a statement about Canada’s threatened ecosystems and the climate crisis at AX: The Arts and Culture Centre of Sussex. This exhibition was selected by Canadian Heritage and the Department of Tourism, Heritage and Culture to represent New Brunswick at the Frankfurt Book Fair in Frankfurt, Germany. Heather’s upcoming solo exhibition Together we Bloom will be on display at the Beaverbrook Art Gallery in November, 2022. Heather is an active board member and the secretary with the New Brunswick Crafts Council (Craft NB).

Jamie Drouin

Drouin’s diverse photographic artworks examine the evolving definitions of landscape, and the often contentious relationship between human modifications and natural ecosystems.

Aquil Virani

Awarded as “Artist of the year” by the Quebec-based artist collective “Les artistes pour la paix,” Aquil Virani’s collaborative art projects combine painting, drawing, filmmaking, writing, graphic design, installation, and participatory art processes and ask important questions about social and environmental justice. In 2021, he was named the first ever national artist-in-residence at the Canadian Museum of Immigration.

Virginia Gail Smith

Virginia is a public and installation artist, currently working in Petawawa, Omàmìwininìwag -Algonquin territory. She is interested in forging a language rooted in her connection with family and the earth. Exploring the marrying of food into art with growing biological forms enveloping foraged local plant life, creating with the context of walking gently. Conversations mingle with the honouring of culture, family and connection to the land in a collaborative public walking tour of sculptures, stories and songs with traditional knowledge keepers Trish Nadjiwon-Meekins, Susan Staves (Schank) in Owen Sound of the Saukiing Anishnaabekiing (SON). She also may use a climate language of cardboard and plastic to initiate dialogue on what is next for us and the earth. Her ancestors reside in England and the Ukraine.

Project SculpShore

Project SculptShore is a Art, Action, and Education initiative launching for its first of many campaigns on World Oceans Day June 8th 2022.

For our first installment we have partnered with local artist at the BernArt Maze in creating a life size baby North Atlantic Right Whale sculpture, modeled after the calf of Snow Cone, the North Atlantic Right Whale featured in the documentary, Last of the Right Whales. This interactive sculpture is fillable and will be used to collect washed-up debris during organized shoreline cleanups across the Maritimes. We will be engaging communities in shoreline cleanups by creating a social media sought-after summer selfie with our baby whale. Changing the narrative of conservation engagement from focusing on the problem to showing people that they are, and can continue to be an integral part of the solution, leaving them educated, empowered, excited to participate in other initiatives.

Minoya Magendrathajan

Minoya is an artist and educator, with an educational background in linguistics and psychology. She is currently pursuing her Masters in Teaching at the Ontario Institute for Studies in Education. An advocate the healing properties of art-making, Minoya paints en plein air to ground herself during walks along the Credit River. As she began to notice changes in seasonal patterns, her practice which started as a means of meditation has turned into a series of sketches tracking the changing landscape by the Credit River in Ontario. Minoya seeks to understand the extent to which human activity affects these changes and hopes to learn how this impact can be mitigated. Through CAW, Minoya hopes to form connections with other climate action advocates to enrich both her artistic and teaching practice.

Hemispheric Encounters: Ecologies Research Cluster

Hemispheric Encounters: Developing Transborder Research-Creation Practices brings together scholars, artists, activists, and community organizations from across the Americas to explore hemispheric performance as an artistic practice for addressing social and environmental justice. The Ecologies cluster considers site-based performance strategies that address politics of land (and agencies of its more-than human inhabitants), as well as spatial politics of occupying public spaces. We delve into legacies of transnational resource extraction and land politics.

No.9

No.9 is a cultural organization that provides youth with creative educational tools to address Climate Change and to foster dialogue between Indigenous and non-Indigenous people.

Teresa Posyniak

Vulnerability and resiliency have been key themes in my 45 year career as a sculptor and a painter. Since the early 2000’s, I have been inspired by others including my friend Alanna Mitchell, author of Seasick: the Crisis of the Global Oceans and my network of Blackfoot women elders to explore human impact on the environment. As such, I’ve delved into the world of plankton, the Ponderosa Pine (a recent collaboration with poet Nancy Holmes) and its struggle to survive amidst the increasing presence of fires in Western Canada. I am intrigued by the intricate tangle of nature. My most recent installation, “SALVAGE: remnants of hope and despair”, featured at the The Art Gallery of Alberta in 2019-2020, reflected my deep need to explore the question of how to survive when everything around us collapses. This large installation, which had its first “performance” 40 years ago, is the connective tissue in much of my work and has literally grown alongside me as I’ve grown and struggled as a woman and an activist over decades. Interestingly, this massive piece just barely preceded the onslaught of Covid and continues to resonate as we attempt to regroup and move forward. I am currently working on its next format as well as continuing my painting explorations.

Thimbleberry Magazine

Thimbleberry Magazine celebrates Northern BC art and culture, including fiction, poetry, creative nonfiction, visual art, and cultural commentary. It will publish original creative work and feature regular columnists who will document the cultural life of Northern BC. Thimbleberry is committed to serving all of Northern BC’s regions, reflecting the cultural life of the place, whether it be urban or rural, mountain or coast, settler or indigenous, celebrating its energy and angst.

Category: Visual Art

Heather McCaig

Jamie Drouin

Aquil Virani

Virginia Gail Smith

Project SculpShore

Minoya Magendrathajan

Hemispheric Encounters: Ecologies Research Cluster

No.9

Teresa Posyniak

Thimbleberry Magazine

CAW-WAC

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